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Netflix defends packing shows with LGBT ‘representation’: ‘every gay person is very necessary’

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Even in a world as uniformly left-wing as Hollywood, Netflix’s weakness stands out, from leading the pro-abortion mob against Georgia to controversial productions such as The Two Popes. Some LGBT roles are inserted that have nothing at all to do with the storyline of the movie but are a sidetrack to satisfy a lobby group. It portrays the weakness of directors of movies.  Then we have aggressive LGBT roles where suddenly the dialogue goes sideways and we have a lengthy tiresome illogical justification of immoral LGBT. So we go from entertainment to LGBT agenda.  But one of the most pervasive manifestations of the streaming platform’s priorities is its glut of LGBT content. “LGBTQ” is a specific searchable genre, and one 2017 list counted a whopping 57 shows on the platform featuring gay characters. Naturally, not everyone is impressed, as evidenced by this tweet going viral last week:  The visual apparently resonated with enough people that Netflix’s social media team felt

Netflix to launch LGBT cartoon about drag queen superheroes who ‘save the world’ from ‘evil’

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Netflix has released a brief preview for a cross-dressing themed superhero cartoon. It will debut later this year on the popular streaming platform. “During the day, they work in a department store and deal with their uptight bitchy boss,” reads the official synopsis for “Super Drags,” the upcoming show. “By night, they tighten up their corsets and transform into the worst SUPER DRAGS in town, ready to combat shade and rescue the world's glitter from the evil villains. Get ready, because the SUPER DRAGS are going deeper than you think.” Netflix US✔@netflix They're here, they're queer, and they're going to save the world. Super Drags, a new animated series coming soon. pic.twitter.com/CscVyanB6B The 38-second trailer (content advisory for suggestive imagery) offers few details but depicts the stylized lead characters suiting up, with the camera focusing on their chests and behinds. The only dialogue is a decidedly-male “huh?” coming from a character in a green dress,