GAY TRUTH

Below is the blatant immoral confused homosexual agenda of a movie that Hollywood thinks is great but in reality is a sad reflection on the lives of the movie industry and its broken sinful morals. We live in a world built on simple oppositions: male or female; gay or straight; black or white. Cultural norms want us to fit easily into these categories because they are easier to understand, and often, oppress. (Not cultural but biblical) In the world of Moonlight’s protagonist Chiron, being anything other than hypermasculine is downright dangerous: Being black and gay is unthinkable. But the truth is that life is more complicated, more confusing. Moonlight shows us that you can be a drug dealer and a father figure. That a film can be about domestic abuse and also be operatic. And as far as being African American and queer, director Barry Jenkins’ story shows us that it is possible, beautiful even, to be both. The fact that such a film, which so poetically complicates notions of

MOONLIGHT A DECEITFUL POLITICAL HOMOSEXUAL MOVIE  Moonlight , a low-budget, “homosexual ” coming-of-age movie about a poor, bullied, black boy with a drug-addicted mother, surprisingly won Best Picture at the Academy Awards on Sunday night, giving homosexual activists a propaganda victory as well. Once again Hollywood seeks to serve the immoral homosexual agenda. In addition to winning Best Picture, after a mistake in which   La La Land   was first announced as the winner,   Moonlight   won for Best Supporting Actor (Mahershala Ali) and Best Writing Adapted Screenplay ( Tarell Alvin McCraney and Barry Jenkins ). In accepting the award, both Jenkins and McCraney got political: “All you people who feel like there’s no mirror for you, the Academy has your back, the ACLU has your back, we have your back, and for the next four years, we will not forget you,” Jenkins said, in what   Variety   described as his addressing the alleged “rollback of civil rights by the Trump admi